This collaborative work investigates elements of desire, longing, and loneliness through the lens of queer embodiment within Black spiritual spaces. Using inspiration from author Ashon T. Crawly's profoundly innovative book, "Blackpentecostal Breath: The Aesthetics of Possibility," the work explores the themes of bodily surrender, openness, and Black spirituality.

HOME/An Untitled Portrait, choreographed by Tommie-Waheed Evans, is an emergence of choreographic, sonic, and visual practice. Kendrick Lamar's collection of music allows space for a dialogue to take place between the music and dance. 

With HOME/An Untitled Portrait, we ask, "How are spiritual desires constructed through the lenses and experiences of an isolated being?"

American Mo', choreographed by Crystal Michelle, is a celebration of triumph over adversity. Dancers express freedom, courage, and joy to Duke Ellington's "Three Black Kings," composed in honor of Dr. Martin Luther King, Jr.

Children of the Passage is a collaborative work between the late Donald McKayle and Ronald K. Brown. Set to the music of the Dirty Dozen Brass Band, the moments after the emancipation from slavery are relived as a party gone awry.

Set to four contemporary gospel tunes by Kirk Franklin and the Family, In My Father’s House brings the modern-day church experience to the stage. The built-in encore, danced to the song “When I Think About Jesus,” is so highly energized that it brings the audience to their feet, and they leave the theater dancing and singing.

An energetic and vibrant look into the past, Strong Like We pays homage to the strength and courage of Mike Malone’s (1943-2006) movement legacy embedded within Kathy Smith’s artistry.